Sissell Marie Tonn is working on foundational research and media experimentation for a new artwork The Sentinel Self– an immersive interactive narrative built in the game engine Unity, which will creatively explore the shared threat of microplastics to living organisms and their environments.
Ian Wintersis working on the Domestic Light project, a timely work, conceived in and for a COVID and post-COVID world, which explores the nature of our relationship to the character of light, home, and the passage of time – through the spectral footprint of light in homes worldwide. The project will result in a series of new installation light-sound works in San Francisco and Richmond; a live online work showing the color of light/dark around the planet during the year; and a broad Bay Area community engagement program that includes a series of panel discussions, work-in-progress presentations, a LASER lecture and a special print/online publication in the Leonardo Journal.
We’re a group of PGRs who want to connect people and build a community of doctoral researchers and makers through activities based in fun, creativity and researcher skills development. We will be organising several ongoing events over the next few months including:
WALKSHOPS The walk shop is a peer-led meetup group for researchers to walk out and share any research woes, plan the week, celebrate successes and stomp through procrastination blocks. Each Monday at 10 am, we will set off and walk out the week ahead. More info & registration
NEURODIVERGENT ART JAM A series of art-making and creative writing workshops for PGRs who identify as neurodivergent, culminating in an exhibition to share creative work and raise the profile of neurodivergent experience at the University of Sussex.
Attendees can sign up for 3 two-hour long workshops, which will be limited to 10 participants and neurodivergent focused/friendly More info & registration (Funded by the Researcher-led Initiative Fund)
ARCHIVING AND DIGITAL SKILLS WORKSHOPS (coming soon) This series of workshops act as an introduction to creative archiving and digital skills/methods, and will be held online and in person in the lab. Our workshops aim to be welcoming, interactive and a space for participants to think about and discuss their own research.
COLLABORATIVE PLAYLISTING (coming soon) For when you want to get involved but don’t have much time to spare, we will also be running an ongoing series of collaborative playlists. For these playlists you will be able to suggest music you’d like to be included.
SHL is delighted to invite creative practitioners in the South East England region to apply for our very first artist-in-residence opportunity, run in collaboration with Visiting Fellow Laurence Hill. Further information here. Deadline: noon 21 February.
After some wonderfully galvanising encounters in late 2021, Digital Humanities Climate Coalition is now officially a thing. It’s a collaborative and cross-institutional initiative focused on what DH researchers (broadly construed) can do in times of climate crisis and climate transition, especially understanding and improving the environmental impact of DH research. Participants are based at HE institutions and DH Centres across the UK, Ireland, and Northern Europe. There are three working groups doing things over the course of 2022, plus a reading group. If you’d like to find out more or get involved, you can do so here.
The Applied Hope: Solarpunk & Utopias Game Jam was an open games jam run in summer 2021, inviting game designers to create all manner of things related to envisioning positive futures. Entries were mostly storytelling and tabletop roleplaying games, although we also got prototype video games, zines, a Twitter bot, and more.
After poring through almost sixty submissions, some prizes have just been awarded:
Utopia on the Tabletop is a forthcoming collection of scintillating interventions and essays about tabletop roleplaying games and their relation to utopian theory and practice. It is being edited by Jo Lindsay Walton and supported by the Sussex Humanities Lab’s Open Practice group. Contributors include:
Kelsey Paige Mason
Felix Rose Kawitzky
Maurits W. Ertsen
Rafael Carneiro Vasques, Vitor Celli Caria, and Matheus Capovilla Romanetto
Grace A.T. Worm
Allan Hughes and Mark Jackson
Nicholas J. Mizer
Jo Lindsay Walton
More to be confirmed!
The collection will launch in late 2022 / early 2023. It will be a collaboration with MAH’s new poetry and poetics imprint Both Are Worse. In the meanwhile, you can keep an eye on Vector, where you’ll be able to get a sneak peek at some of the chapters throughout the second half of 2022. See also the related Applied Hope Games Jam.
To coincide with COP26, the Greening the Digital Humanities workshop was held by the Edinburgh Centre for Data, Culture & Society, the University of Southampton Digital Humanities, the Sussex Humanities Lab, and the Humanities & Data Science Turing interest group. It was a chance for Digital Humanities groups across the UK and Northern Europe to come together to consider what DH communities should do to rise to the urgent challenges of a changing climate and a just climate transition.
It was a summit of unprecedented scope and determination, and probably long overdue. Before the day itself, we had a couple months’ worth of drumroll. So we were able to start by sharing insights from these various scattered dialogues and surveys. Video here and slides here.
Building on this early engagement, four-ish main action themes emerged during the workshop:
Compiling a toolkit for DH researchers to do what we do more sustainably — finding out what’s already out there and signposting it, finding out what isn’t and inventing it.
Improving our knowledge, especially about how to measure our own impacts. This could definitely inform that toolkit, but it came up so much it deserves its own theme.
Nurturing a community of interest around just transitions — climate action is about decolonisation, about feminism, about anti-racism, about diversity and democracy. Many of us felt we wanted to deepen our understandings of climate justice, to share in one another’s research, and to reach out to colleagues and fellow travellers outside of DH.
Lobbying, influencing, and offering support and expertise — especially within our universities, and in our relationships with major funders. There was also some interest in other stakeholder groups (key suppliers, green investor coalitions, people responsible for league tables and excellence frameworks, etc.).
My own breakout rooms focused mostly on that final theme. We spent quite a lot of the conversation on funders (representatives from whom were in attendance). We all acknowledged the need for a collaborative and joined-up approach, feeding our perspectives into the work funders are already doing.
At the same time, there is also a fairly clear short-term ask here: we want prominent assurances that bids are not going to be disadvantaged for devoting some of their precious word counts to environmental impacts, and that budget lines related to mitigating environmental impact are legitimate. Everybody’s hunch is that this is already the case, but it’s good to have it said out loud, while the medium-term processes such as updating funder guidelines grind into gear. There is plenty to figure out. But the next few years are crucial from a climate perspective, and bids going in today or tomorrow are impacting what we might be doing in 2022-2025. To keep them aligned with the 1.5 degrees ambitions, some interim incentives will be handy.
As we flowed from our break-out groups into plenary discussion, another theme that emerged was work. We’re long past the point where managing climatic impacts could be seen as a ‘nice to have’ piece of work bolted onto the side of business-as-usual, if there happens to be some extra time and energy to devote there. But at the same time, we need to be sensitive to the diverse levels of capacity. We need to watch out for replicated or otherwise unnecessary work. Where possible activities should be folded into things that already exist. Progress can be made asynchronously to reflect busy calendars. And where we can, we should tune into the ways this work can be collectively nourishing, fascinating, and energising.
So what are the next steps? Broadly, to sort ourselves into teams to try to action things over the next six months or so, and see how we get on with that. Also to continue to reach out to others. These activities probably need to be organised under an umbrella of some kind. How do you like the ring of a Digital Humanities Climate Coalition?
The workshop winds up. One by one they go back to their lives, till I am alone in the Zoom room. A surreptitious glance over my shoulder, then I gleefully get out my gas-guzzling leaf vidaXL Petrol Backpack Leaf Blower and get the Google Jamboard in my gun sights. Post-its dance like confetti. One flies up that escaped my attention earlier.
“The world is burning. It is already too late without massive systematic top-down changes forced on us that no politician will want to do. Let’s all write nihilistic poetry and embrace the end.”
I feel that too. Of course it goes straight into the spreadsheet: WILLING TO LEAD OR CO-LEAD NIHILISTIC POETRY AND END-EMBRACING WORKING GROUP.
But it also drives home for me one last theme: the importance of mid-scale action. When we focus too much on what the individual can do — buying zippy little electric car, or the Correct Broccoli — it fails to engage with the scale of the challenge. When we focus too much on the big big shifts — system change! Degrowth! An end to extractivist ontologies! — the concepts have all the necessary oomph, but the concrete actions prove elusive.
The middle scale, the often distinctly unpoetic activity of organising with a few others to influence an organisation, a sector, a community of practice, a regulation or practice, is often what goes missing. The small scale and the big scale are still important, of course! And climate actions at many different scales feed and reinforce one another. Nihilistic poetry and end-embracing can even be part of that …
But the reason it felt like a very good workshop was that it was satisfyingly in-the-middle. Hope can be a feeling, but hope isn’t exclusively a feeling. Hope is also what you do. And often it’s things you do with a few other people that most manifestly are hope. Interventions with two or three other collaborators, or a dozen, or twenty, exploring what might be accomplished, and multiplying the tales of the attempts.