SHL’s James Baker has a fascinating blog post about his use of AI to explore the curatorial voice of historian Mary Dorothy George.
I’ve written this post in the hope that it’ll help others with similar interests take a similar approach to automated text generation, not least as one of my challenges right now is how to read the outputs of simGeorge, how to grapple intellectually as a historian with fabricated catalogue entries in the style of Mary Dorothy George.
Elsewhere: Curatorial Voice: legacy descriptions of art objects and their contemporary use
SHL’s Beatrice Fazi will be speaking on ‘The Computational Production of the New: On Aesthetics, Creativity and Digital Technologies’ for the Cambridge Digital Humanities Open Series on 24 June at 16:00-17:30 UK time.
Can computation generate the new? M. Beatrice Fazi argues that engaging with such question involves addressing computation aesthetically. Drawing from her monograph Contingent Computation (2018), Fazi will discuss aesthetics as concerning creation and reality’s potential for self-actualisation. This talk will demonstrate that aesthetics is a viable mode of addressing computational systems precisely because such generative potential is inherent to the axiomatic, discrete and formal structures of digital technologies. Novelty in computation is then expressed not by computers doing something strange or unexpected, but by a computational process that does what it is supposed to do.
The Discussant will be Joshua Scannell (The New School, USA) and the Chair will be Caroline Bassett (CDH Director, Cambridge).
Email Karen Herbane to register. More info at Cambridge Digital Humanities.