Welcome to the sparkling new Sussex Humanities Lab blog!
What is this field, called the Digital Humanities? Broadly speaking, it’s about a dialogue – occasionally a tussle, or a two-part harmony – between all the things humanities scholars have traditionally done, and the new and emerging practices which digital technology enables. Here at the SHL, we’re organised into four strands: Digital History/Digital Archives, Digital Media/Computational Culture, Digital Technologies/Digital Performance, and Digital Lives/Digital Memories; we also collaborate extensively with the TAG (Text Analysis Group) Lab, and with the University of Sussex Library. Building innovative archival and analytic tools to reappraise literary and cultural heritage is part of what we do; so is thinking through the ethical implications of the changing nature of privacy and personal data; so is investigating fledging or fleeting everyday cultural practices of social media users. The fore-edges of medieval manuscripts are in our wheelhouse; so are the memes of 4Chan.
But even a permissive definition of the Digital Humanities risks falling short of the sheer richness and diversity of activity taking place under its rubric. The influence of the Digital Humanities spreads wide, as encounters with new cultural forms often cast fresh light on the familiar, revealing what was under our noses all along. Some scholars and artists have already started to prefer the term postdigital. Let’s not forget about that strong practice-led thread either: the Digital Humanities is not only critical and curatorial, but also creative.
Perhaps the best way to understand the Digital Humanities is to keep an eye on what Digital Humanities scholars are up to. That’s where this blog comes in. In the coming months we’ll be bringing you glimpses of dozens of exciting projects and initiatives with which the Sussex Humanities Lab is involved. We hope to make this blog a place of interest to researchers of all disciplines, and to the public at large.
For my part, I mostly work on the intersection of speculative fiction and economics. How are creators of speculative fiction imagining the impact of automation and Artificial Intelligence on society? Can speculative fiction inform the design of new institutions and policies, allowing us to meet the ecological challenges of the future? Or … maybe it can’t? Later in the year, I’ll be sharing my research more fully. But right now, I want to flag up two projects I’ve been involved with editorially, both hot off the presses. On the fiction side, there’s Strange Economics, an anthology from David Schultz, featuring original economics-themed short stories. The ebook will be free for a limited time. Then there’s Vector, the UK’s longest-running magazine of SF criticism. Vector #288, co-edited with Polina Levontin, a special issue devoted to the future of economics. The magazine only goes to members of the British Science Fiction Association, but we’ll be featuring plenty of excerpts on the Vector website over the next few months.